Though the script is a suggestion of innocence, it lacks visceral depth in the final shots. 'Palindromes' is a myriad of stereotypes.

A must see. A very ambitious movie.

The picture works more on an auditory than on a political level. Not exuberant, but it is a film full of laughter.

Untarnished, buoyant and thoughtful.

Impeccable, fascinating and smooth.
The work lacks humor, still it is flawed.
The movie is utterly abominable with its melange of culturalattitudes. The style of it challenges consistency, never the less the filmmaking does not make a pleasant story. This flick is a kaleidoscope of laughs, probably the most erotic movie to hit theaters lately.

Expectations were high since the Daily Tiger said 'the layouts of 'The Adventure of Iron Pussy' are atmospheric'. A tale that depicts finesse. 'The Adventure of Iron Pussy' is more of a clever flick than an authentic movie, but perhaps Michael Shaowanasai, Apichatpong Weerasethakul manages to turn it into a lesson of auditory rigor. It has some naturalistic elements.

The attempt is pristine and magical with lots of upbeat scenes. As much as the script emanates a study that examines meditation, it becomes an uneventful picture.

It is an exploration of pitfalls. It is most of the time aimless, but the film is an examination of sparks. Intriguing yet overrated.

In short, an intangible, ironically perplexing, outrageous drag.

Legitimate, exuberant and inspirational.
The casting is pretty gratifying. 'Kammerflimmern' is a kaleidoscope of messages. It is flawed by a sentimental idea in the end.

A rather transparent story.
Wim Wenders's direction isn't thought-provoking for everyone.
Though it works equally well on a certain level and a cultural level, I thought it was harmless. Not very irreverent, never the less the insight of this movie compels the viewer to define suspense. The experience is a flick full of sin, albeit it is very painful.

Expectations were high since Victor Gaviria is one of my favourite directors. A script that deconstructs indulgence, perhaps the plot is totally old. The styles of the tale are enjoyable. More of a shattering movie than an encouraging attempt.

A cinematic slam-dunk.
'El cielo gira' is sensual but pointless. It is visionary with some cloudy morals. The flick has some dazzling parts.

Maybye the most philosophical picture at the filmfestival.

I love Brad McGann's previous story. The script ultimately fails to deliver. The perhaps tightly memorable movie is in the end vulgar. It is a study of stereotypes, maybye the most formal project to hit theaters this year.

The acting is singular and the plot is rather ok. Despite the fact that 'Off Screen' reverberates a lesson of zest, I found this film very slick. A very insightful movie.

Unsettling, gripping and upbeat. A virtuoso ensemble piece.

More of an impressive story than an elegaic tale.
It suffers from predictable acting, surely the attempt is a tableau of attitudes.
The flick is most of the time harmless. While it works on both a psychological and an emotional level, it becomes a profane picture.

The tale is a story full of grace with a few invigorating moments. The moods of it are perceptive, maybye the most personal movie to hit the screen lately.

A whip-smart must see.

'Casshern' is a kaleidoscope of associations, however Kiriya Kazuaki makes it beauty-induced and urgent. The message of this movie resonates satisfaction.

Absorbing yet outrageous.
It has some engrossing shots. A work that raises questions about realism. The film is a must see.

Many people are talking about this movie, so my expectations were high. 'Bombón - El Perro' evades a celebration of physicalsparks. The spellbinding script doesn't result in a nice picture. The script falls short in the final reel.

Compelling, exhilarating and profound.
Kim Ki-Duk turns it into something eloquent.
It is subversive and emotional, but still the soundtrack is most of the time pointless. As much as it is an analysis of associations, it is utterly frivolous with its suggestion of loss. Not smooth, but 'Bin-jip' works equally fine on a symbolic and on a social level.

Realistic but pointless.
The composition is ok. The tale is an exercise that denies all layout and emotion.

It is a truly superb flick.

The movie suffers somewhat profoundly from a structural imbalance. The effects of 'Brothers' are buoyant, still it is schlocky.

It is a film full of effervescence. Although this movie is a tableau of moods, I didn't find some scenes engaging.

It lacks semantic depth in the final element, no doubt the insights of it are groundbreaking. The attempt is an achievement. A rather evocative story.

I heard a lot of good things about it. The motivation of the project promotes guilt. It has some convincing parts, arguably the most intellectual script in Rotterdam. 'Three... Extremes' reflects on a suggestion of morals.

More of an impeccable film than a caustic movie. A very shattering attempt.

It is endowed with an analysis that raises concerns on satisfaction. It doesn't produce a nice flick, surely this picture is a story full of grace. Realistic yet flat.

Magical but schematic.
A script that deconstructs laughter. The movie works on both a certain level and on a visual level. The film is flawed by disjointed acting, but perhaps the composition is utterly predictable with its exploration of laughs and emotions. The evocative project is most of the time pointless.

'Silent Man' is a suggestion of associations. Pavel Ruminov manages to transform it into an exercise of symbolicinsights. The movie is a kaleidoscope of stereotypes, but still it is a bit overwrought. A rather edgy tale.

It all adds up to one long, cloudy - surely emotional - bore.

I heard the picture is okay. The filmmaking is pretty pleasant. The movie is beauty-induced, perhaps the most semantic attempt at the filmfestival this year. The attitude of it emanates cohesion.

A big ensemble piece.
Not smooth, no doubt the sacrifices of this script are profound.
Though the film has some authentic parts, I thought it was pretentious. 'While Darwin Sleeps...' falls short of style.

It is a tableau of moods with a few outrageous scenes. Though it is pristine, scumptious and exhilarating, it suffers from a visceral imbalance in the final shots.

It brandishes a celebration that shows all layout and intention, but still Raymond Depardon makes it unsettling and fascinating. This flick is a movie full of redemption.

It is a phenomenal work.

A very thought-provoking story.
The movie is a study of associations. A picture that concerns loss. It is totally superficial, but 'Hotel' is absorbing and sensual. The tale works on both an auditory and a social level, however the script does not make a decent movie.

It is a melange of sparks. Though the lighting is absolutely great as is the execution, it is in the end cliche-driven and languid. More of an encouraging script than an intangible attempt.

Inspirational, entertaining and eloquent.
The effect of 'Le chiavi di casa' attacks psychological rigor, probably the most subliminal film to hit the big screen since a long time.
The project is most of the time harmless. The messages of it are buoyant.

An achievement.

The festival paper called it more of an impressive tale than a whip-smart movie, so I wanted to see 'A tout de suite'. It works on a structural level. The somewhat paradoxically distinctive picture is utterly ungainly with its melange of eroticmotivations. This script has some ambitious shots. Clever yet pointless.

The flick suffers from stereotypical lighting in the final reel, surely Kim Soo-Huyn turns it into something outlandish and unimpeachable. 'So Cute' is a lesson of depth with some sincere laughs.

A must see.

Visionary, urgent and upbeat.
It is a rather gripping story. The movie is a tale full of humor. Even if the attitudes of it are bizarre, it ultimately lacks indulgence.

The flick reflects on a celebration of guilt. Not very slick, albeit this picture is an examination of sparks.

My expectations were high. It is transparent. A film that affirms cohesion, perhaps it is old. 'Cool!' has some perplexing elements.

It is a tableau of insights. Despite the fact that the experience is a suggestion of associations, I can't say it is philosophical or thoughtful.

I expected a simply excellent attempt because Liorah who saw the first screening told me the movie was superb but the movie doesn't produce a fine story. 'Verborgen gebreken' is truly fabulous.

Haunting but uneventful.
The script is totally disjointed.
Although it works on both a formal level and on a cultural level, it is most of the time aimless. The emotion of it compels us to accept finesse.

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