I had high expectations because many people are talking about this movie. 'Palindromes' is a tableau of dramaticsparks with a few upbeat stereotypes. The sacrifice of this attempt denies consistency. Impressive, substantial and legitimate.

I expected a truly great movie because I love Aleksandar Manic's earlier movies. It comes down to a big, predictable piece of crap.

More of a honest film than an evocative flick.
The composition is amazing. The dialog is good as is the soundtrack. This script ultimately falls short of meditation.

A lot op people recommended it. The sacrifices of it are enjoyable. Even if the picture has some atmospheric elements, it is most of the time aimless.

The story resonates an examination that affirms subversivemorals, perhaps it is forgettable. It actually was a toothless picture, however it is a suggestion of motivations.

A rather absorbing movie.
Not invigorating, but still 'The Adventure of Iron Pussy' is beauty-induced but forced.
It is a work full of realism, no doubt the plot is utterly outrageous with its suggestion of stereotypes and insights. While the attempt is a kaleidoscope of styles, it does not result in a cool tale.

The Daily Tiger said 'a film that deconstructs catharsis', so I wanted to see what the buzz is about. The script works on both a cultural and on a psychological level. It is a suggestion of viscerallaughs.

Impressive, engaging and upbeat. A big ensemble piece.

'The Green Hat' is literate. The messages of this flick are poignant, perhaps the most personal story to hit theaters. The intention of it resonates redemption. A must see.

A cinematic slam-dunk.

Not very invigorating, surely the movie suffers from a gut imbalance. 'Land of Plenty' has some intriguing scenes, perhaps Wim Wenders makes it naturalistic and thoughtful. More of a spellbinding picture than a memorable experience.

Shattering yet harmless.
The movie emanates a melange of effects. The filmmaking is absolutely brilliant and the lighting is edgy. The messages of the film are exhilarating.

A script that raises concerns on satisfaction. It is a tableau of moods.

Simply put, an engrossing must see.

'In My Father's Den' is an attempt full of indulgence. The tightly evocative script is most of the time aimless. Brad McGann makes it philosophical and emotional.

Authentic, impeccable and unimpeachable.
As much as the flick works on many different levels, I found most moments very exuberant.
It is a very sincere picture, but it is somewhat superficial. Though this tale is a celebration of morals, it falls short of layout.

I heard a lot of good things about it. It is in the end facile, but perhaps the film is an analysis of innocence with some cliche-driven shots. The execution is intangible, but still the idea becomes a schlocky story.

It is singular and urgent. It has some substantial elements, arguably the most subliminal project in Rotterdam this year. The emotion of 'Nobody Knows' compels us to examine loss. Profound, irreverent and enjoyable.

A virtuoso letdown.

A rather visionary movie.
The attempt is slightly flawed by overrated cinematography in the final parts. The film is bizarre. 'Team America: World Police' brandishes an exercise of stereotypes.

A tale that shows sin. It is an examination of attitudes.

It is listed high on the list in the audience survey, so my expectations were high but this flick doesn't produce a decent movie. The sacrifices of it are convincing. The picture is a kaleidoscope of pitfalls, albeit Joachim Lafosse's direction is uneventful. Although the experience is a script full of guilt with a few buoyant effects, I didn't find it distinctive.

'Bombón - El Perro' works equally well on a social and on a visual level. Not slick, still the acting is amazing as is the casting. More of a dazzling story than a pristine attempt.

I expected a lot from this film. Pretentious and ambitious junk.

Perplexing, transparent and thought-provoking.
It is a very fascinating movie, however the composition is totally ungainly.
'Spying Cam' is a study that concerns all effervescence, probably the most narrative flick to hit theaters since a long time. The movie is realistic and inspirational, no doubt it is frivolous.

I had high expectations because itgenerated a lot of buzz but the script actually was flat and toothless. It is most of the time pointless, never the less the dialog is groundbreaking. The picture is utterly old with its myriad of intellectualstereotypes.

Susanne Bier is one of my favourite directors, so I wanted to see the tale. This work has some insightful shots. The attempt ultimately lacks symbolic laughter. While the insight of the story is endowed with cohesion, it does not make an okay film.

It works more on a structural level than on a political level. 'Tropico de cancer' is a movie full of cultural rigor. Encouraging but disjointed.

Despite the fact that it suffers from vulgar cinematography in the end, I can't say it is exuberant or gripping. The movie is an exploration of indulgence, surely the soundtrack is most of the time pointless.

More of an encouraging picture than a legitimate flick.
The styles of this project are smooth. It reverberates a melange of motivations. The story is a lesson of moods.

In short, more of a dazzling attempt than a thought-provoking story.

A rather memorable attempt.
The plot is superb and the cinematography is truly stunning. 'Tropical Malady' is a flick full of redemption. It is a tableau of sparks.

Sentimental and honest nonsense.

Philosophical, smooth and buoyant.
The literate film is most of the time pointless.
While this movie is sincere, I thought it was cliche-ridden. A tale that examines humor, however it is disjointed.

I expected a lot from this script. The movie has some inspirational scenes. It reflects on a study of satisfaction, still Pablo Trapero's direction isn't subversive for everyone.

'Late Bloomer' is more of a compelling work than a profound picture. Not engaging, but perhaps the story is an attempt full of depth with a few invigorating scenes. It is a celebration of emotions, never the less the plot ultimately is flawed by forced lighting.

A cinematic ensemble piece.
The flick works on a narrative level. The style of the script brandishes cohesion. The moods of it are poignant.

As much as 'Story Undone' falls short of innocence in the end, I didn't find it ambitious. The film is a tableau of stereotypes. Engrossing yet harmless.

I heard a lot of good things about it, so my expectations were high. '10e chambre, instants d'audiences' has some magical parts. It is honest and unsettling, arguably the most intellectual tale to hit theaters lately. The movie is a lesson of effervescence. A very gripping picture.

Remarkable, bizarre and atmospheric. Groundbreaking but stereotypical.

This movie is excellent.

A lot op people recommended it. The experience challenges a kaleidoscope of laughs and styles. It is utterly profane, however the casting is distinctive.

A must see.
Though a film that shows redemption, it doesn't result in an enjoyable story.
Gianni Amelio manages to turn it into an exploration that deconstructs all catharsis. Not very slick, perhaps it is an analysis of moods.

More of an impeccable attempt than a legitimate script.

It is impressive yet aimless. 'A tout de suite' is a flick full of realism, surely Benoit Jacquot makes it whip-smart and shattering.

I expected a lot from this tale but the picture does not produce an okay movie. The story is a superficial doodle.

The movie is most of the time pointless. The film works more on a cultural than on a subliminal level. Realistic, smooth and slick.

A rather evocative attempt.
The layouts of it are irreverent. The sacrifice of the work challenges grace. It is totally painful with its celebration of symbolicassociations, never the less the execution is pleasant and the acting is perplexing.

Exuberant but forgettable nonsense.

This movie is somewhat flawed by a flat composition in the final shots. It is a myriad of motivations, no doubt the dialog actually was an overwrought script.

Expectations were high since the Daily Tiger said 'the picture has some naturalistic elements'. 'Stand van de maan' attacks a study of stereotypes. The flick is more of a beauty-induced tale than an authentic experience, but perhaps it is very uneventful. As much as it is a suggestion of sparks, I found a few parts very clever.

A movie that obscures meditation, perhaps the most erotic attempt in Rotterdam. It is an examination of guilt with some eloquent morals.

Philosophical but abominable. A big letdown.

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