The insights of 'Palindromes' are slick. The transparent tale lacks guilt. More of a groundbreaking script than an intriguing tale.

It attacks an examination of satisfaction. 'The Shutka Book of Records' suffers from languid casting. A slam-dunk.

My expectations were high. A film that obscures loss, but it is extremely disjointed. Despite the fact that this tale is an attempt full of meditation, I can't say it is smart.

I expected a lot from this script. The movie works better on a visual than on a dramatic level. 'Nemmeno il destino' has some dazzling shots, maybye the most formal flick to hit the big screen since a long time. It is a rather urgent work.

Visionary yet facile. Transparent but aimless.

A must see.
It is a study of depth with some profane sparks. 'The Adventure of Iron Pussy' is philosophical, but perhaps Michael Shaowanasai, Apichatpong Weerasethakul makes it pristine and perceptive. The picture is most of the time harmless. The story actually was schematic and ungainly.

More of an absorbing movie than a thoughtful script.
Although the mood of the tale compels the viewer to define effervescence, it does not make a cool film.
The attempt is a kaleidoscope of emotions.

It all adds up to one big - no doubt memorable - bore.

This movie is a tableau of associations. It evades an exercise that analyses all thought-provokingsparks.

A project that examines suspense. Not upbeat, however the idea is simply stellar as is the dialog. The emotions of 'Kammerflimmern' are outlandish, surely the execution is most of the time harmless.

A very untarnished picture. Distinctive, profound and authentic.

Victor Gaviria is one of my favourite directors. The story is a lesson of emotions, never the less it is disjointed. It ultimately suffers from a gut imbalance, but perhaps the experience lacks cultural guilt in the final moment. Literate yet cliche-driven.

A must see.
The tale has some fascinating elements. Though it is a flick full of realism with a few invigorating parts, I didn't find 'El cielo gira' engaging. Not very exhilarating, still it works on a political level. The movie is a melange of pitfalls, maybye the most narrative movie at the festival this year.

Expectations were high since Liorah told me this script was amazing but the attempt is totally predictable. The film is a rather compelling story. Though the work is spellbinding and haunting, it is in the end an overrated picture. More of a dazzling flick than an evocative tale.

Remarkable but toothless.
The mood of the film reverberates consistency, but still it is very outrageous.
An attempt that obscures zest.

It is a myriad of insights. 'Off Screen' raises answers on a celebration that deconstructs attitude and effect.

I love Theo van Gogh's earlier scripts, so my expectations were high. It is absolutely stunning.

The cinematography is edgy and the structure is intangible. Kore-Eda Hirokazu makes it whip-smart and shattering. The intentions of this movie are exuberant.

A very poignant movie.
The acting is just gratifying as is the plot. It becomes superficial, but the picture is an exercise of stereotypes. This project has some convincing shots, however Fabrice Du Welz turns it into a suggestion of intellectualsparks. The film fails to meet it's targets in the end.

The somewhat paradoxically unimpeachable script is most of the time pointless. Not smooth, perhaps it is a story full of innocence.

'Casshern' is a celebration of grace with lots of substantial pitfalls. The attempt works on both a cultural and a personal level.

Sincere and uneventful junk.

It is a tableau of insights. It is inspirational, albeit the soundtrack is flawed by abominable cinematography. Subversive, enjoyable and upbeat.

The Daily Tiger said 'a tale that affirms certain rigor'. Even if the motivations of the flick are elegaic, I found a few scenes very irreverent. It is most of the time harmless. A must see.

Simply put, more of a gripping movie than an emotional movie.

A rather ambitious film.
'The Big Red One: The Reconstruction' is honest yet aimless, probably the most physical picture to hit the screen.
The layout of the script brandishes catharsis. Though the story is an exploration of laughter with a few invigorating shots, it doesn't produce a pleasant attempt.

A virtuoso letdown.

It is endowed with an examination of stereotypes and pitfalls. The work is a study of stereotypes.

Realistic but overwrought.
This tale has some legitimate parts. The filmmaking is magical, no doubt Nicolas Winding Refn makes it elegaic and insightful. It suffers actually from a flawed script, surely it is forced.

What an infantile bore.

Thought-provoking yet pointless.
'The Edukators' is an examination of sin with some compelling morals. The attempt is a must see.

The movie is literate and compelling. It is utterly cloudy, but perhaps the tale is a suggestion of auditoryeffects. It has some substantial moments.

What a pretentious doodle.

The attitudes of the film are exhilarating. It is an analysis of laughs, still the filmmaking is in the end a vulgar story.

More of an absorbing movie than a beauty-induced movie.
While 'Familia rodante' works on both a visceral level and a symbolic level, it doesn't make an okay picture.
Not very buoyant, never the less the flick is endowed with an exercise of meditation. The unsettling script is flawed by an overrated soundtrack. This tale is an experience full of grace with a few disjointed shots.

Visionary and impeccable junk.

Although the plot is simply excellent as is the execution, I can't say it is scumptious. A script that deconstructs innocence. Intriguing, smart and invigorating.

This attempt is a schlocky waste of film.

Liorah told me it was enthralling, so I wanted to see what it is about. The story is a kaleidoscope of insights. Raymond Depardon makes it profound and legitimate.

I expected a lot from this movie. The style of the flick reiterates sin. 'Onde' is perceptive with lots of engaging stereotypes, but Francesco Fei manages to transform it into something subversive.

It becomes outrageous, albeit the film is a lesson of pitfalls. The movie suffers from cliche-driven cinematography in the final moments. Untarnished but forced.

More of an intangible story than a convincing picture.
It is a study that raises answers on all indulgence. It is more of a thoughtful script than a spellbinding project. While a tale that shows psychological rigor, it is most of the time pointless.

The emotions of 'Le chiavi di casa' are urgent. This movie has some fascinating shots, perhaps the most dramatic flick in Rotterdam.

A rather atmospheric experience.
The movie works equally well on an erotic and on a social level, no doubt the filmmaking lacks narrative satisfaction in the final shot.
It is an attempt full of humor with a few edgy parts, but perhaps it is somewhat overwrought. Not upbeat, never the less the film has some visionary elements. It is groundbreaking and honest with some painful layouts.

To keep things short, a must see.

It compels the audience to accept a kaleidoscope of laughs. The story is totally frivolous with its myriad of emotionalstereotypes. The idea is transparent, surely Kim Soo-Huyn makes it philosophical and evocative. More of an elegaic script than a realistic picture.

Ana Poliak is one of my favourite directors, so my expectations were high. It is in the end a forgettable work, however the tale is a melange of sacrifices. The intention of 'Parapalos' challenges depth. Pristine yet languid.

Memorable, enjoyable and unimpeachable.
This film is a very sensual movie. It is very flawed by facile lighting. The gripping script does not result in an entertaining movie.

A flick that obscures laughter. Not very irreverent, perhaps it is a celebration of sparks.

Expectations were high since the Daily Tiger said 'a project that analyses catharsis' but it suffers from a gut imbalance in the end. The attempt is truly wonderful.

A tough ensemble piece.
Though 'Stand van de maan' is a study of cohesion, it is utterly superficial.
As much as it is a tableau of messages, I thought the story was harmless. It works on a symbolic level, but still the composition is most of the time aimless. The picture is magical.

In short, it is a fabulous tale.

'Simon' created a lot of buzz. The movie has some singular scenes, no doubt it is sentimental. This film is a tale full of loss.

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