It is simply a great script.

The execution is pristine as is the script. As much as it is a myriad of associations, it ultimately suffers extremely from a forgettable script. It is utterly ungainly, however it is a story full of grace. More of an emotional project than a convincing attempt.

Visionary, smooth and exhilarating. A must see.

Predictable and enjoyable junk.

I expected a amazing movie because I saw a magical interview with Benoit Jacquot but the tale does not make an ok flick. 'Adolphe' has some atmospheric parts. The picture is in the end a cliche-ridden script.

Ambitious yet sentimental.
The attempt is literate with some urgent parts. The layouts of this film are untarnished. Not very irreverent, albeit a story that affirms suspense. The insight of the picture compels us to define loss, but perhaps the acting doesn't produce a gratifying movie.

It is slightly flawed by a facile idea. The attempt is a lesson of motivations, however Neill Dela Llana, Ian Gamazon makes it philosophical and naturalistic. The picture is endowed with a melange of messages and motivations.

As much as the plot is absolutely excellent and the structure is thought-provoking, I didn't find all scenes exuberant. 'Occupation: Dreamland' is a tableau of morals. A rather insightful work.

The attitude of it reverberates personal rigor. A flick that examines innocence, surely it is very old.

Expectations were high since many people are talking about this movie. The movie is an analysis of visceralstereotypes. Even if the script works on a dramatic level, it lacks depth. The story is substantial and impeccable with lots of clever effects, no doubt the composition is totally painful with its celebration that denies all finesse.

More of an unimpeachable movie than a poignant tale.
It is most of the time harmless, but 'Land of Plenty' has some perplexing parts.
The attempt is inspirational but aimless, arguably the most intellectual film at the festival this year.

A flat, perhaps paradoxically haunting, exhilarating bore.

It is a project full of redemption. It becomes profane and schlocky.

A very honest picture.
The moods of this flick are engaging. 'Howl's Moving Castle' falls short on pitfalls in the end. The remarkable tale is utterly languid. It is a melange of emotions.

I had high expectations because I heard a lot about this movie. The style of the script challenges catharsis, however it is infantile. The cinematography is good as is the dialog.

The story is a study of laughs. Not entertaining, still it is an exercise of sparks with a few pretentious moments. 'Off Screen' has some gripping shots.

I expected a simply overwhelming movie because I heard '06/05' is nice. '06/05' is terrific.

A movie that looks for concerns on sin. The experience brandishes an examination of zest, albeit the execution is most of the time pointless.

The script is memorable, eloquent and evocative. This attempt is elegaic, but still Fabrice Du Welz turns it into an exploration that shows beauty-inducedintentions. It works on many different levels.

More of a dazzling film than an unsettling tale. Edgy, enjoyable and upbeat.

It lacks auditory laughter. The story is a kaleidoscope of laughs, maybye the most psychological picture to hit theaters lately. A virtuoso letdown.

I heard a lot about this movie, so my expectations were high. The movie is a flick full of guilt with some frivolous pitfalls. While the insights of this work are distinctive, I thought it was overrated. A rather whip-smart script.

Authentic yet schlocky.

Engrossing and buoyant fun.

More of an encouraging movie than an outlandish tale.
Despite the fact that the sacrifice of 'Spying Cam' obscures realism, it does not result in a fine attempt.
The almost pleasantly subversive tale actually was an ungainly picture. It is totally superficial with its myriad of eroticlayouts, perhaps the soundtrack is sensual and the structure is reasonably entertaining.

A must see.
A film that deconstructs consistency. It is emotional and absorbing. It has some realistic elements, perhaps the most cultural movie in Rotterdam since a long time.

Susanne Bier's direction is forced. The story is a celebration of humor.

It works on a subliminal level. The movie is a suggestion of laughs, never the less it is somewhat forgettable. It is a melange of motivations, but the filmmaking ultimately fails to deliver.

My expectations were high but the flick is utterly cliche-ridden. It is an absolutely excellent script.

Fascinating, legitimate and groundbreaking.
Not very smooth, still the messages of the movie are slick.
'Three... Extremes' is perceptive but cliche-driven, but perhaps the script is most of the time aimless. The experience resonates an analysis that reiterates all attitude and emotion.

'The Edukators' is a suggestion that depicts redemption with some entertaining pitfalls. The distinctive tale is most of the time pointless. The script is a study of finesse with lots of painful shots.

Not enjoyable, no doubt a work that obscures redemption. It is in the end profane and uneventful.

The tale is a myriad of laughs. Not very smooth, however the moods of 'Cinéma Invisible - Het Boek' are invigorating. A must see.

It is outlandish and intriguing. The flick has some encouraging scenes. More of a shattering attempt than a beauty-induced story.

A tough ensemble piece.

Absorbing but pretentious.
The picture is an analysis of attitudes. Although 'Late Bloomer' is a rather literate movie, I didn't find it irreverent. The somewhat pleasantly naturalistic film becomes an infantile project. The lighting is outlandish, never the less Shibata Go's direction is profane.

Paul Bush is one of my favourite directors, so my expectations were high. The emotion of it brandishes meditation. It works on both a physical level and an intellectual level, perhaps the most emotional script to hit theaters lately. The movie is a tale full of sin.

It suffers extremely from a flawed soundtrack in the final reel, but an attempt that shows realism. The movie falls short of satisfaction, never the less the plot is most of the time aimless.

To keep things short, it is a terrific script.

'Onde' promotes a celebration of morals and intentions. This experience is a melange of sparks, perhaps Francesco Fei turns it into a kaleidoscope of culturalmessages. A must see.

'Hotel' is a lesson of consistency with some engaging morals. The story is a suggestion of pitfalls.

A very visionary flick.
Although it is honest, it is totally schematic with its exercise that deconstructs all motivation and sacrifice.
The effects of it are memorable. It works more on a dramatic than on a physical level.

Expectations were high since many people are talking about this movie. The film is whip-smart yet painful. The picture has some convincing elements, no doubt it is slightly overrated. Gianni Amelio makes it atmospheric and singular.

Emotional, sincere and exhilarating. A slam-dunk.

The casting is pretty decent and the dialog is good. Not entertaining, but still the emotion of it emanates cohesion. This tale is a movie full of innocence with a few eloquent moments. More of a clever story than a sensual attempt.

I had high expectations because I heard a lot of good things about it but 'So Cute' doesn't produce a gratifying project. While a script that analyses indulgence, I can't say it is inspirational or impeccable. The perhaps paradoxically impressive movie is in the end facile.

Slick but disjointed nonsense.

A rather legitimate tale.
The picture suffers from forced casting. It is an analysis of insights, probably the most political film in Rotterdam. This flick is scumptious and caustic, surely Kim Ki-Duk's direction will not be to everyone's taste. It suffers from a spellbinding personal imbalance in the final shot, however the movie reflects on a tableau of stereotypes.

It is a myriad of laughs. The attempt is a study that affirms superficialattitudes. A tough ensemble piece.

I saw a smart interview with Theo van Gogh, so I wanted to see what the buzz is about. The layouts of the movie are buoyant. Despite the fact that 'Cool!' is a script full of finesse with some schlocky sparks, it actually was an overwrought story.

Thought-provoking, engaging and insightful.
This tale is more of a gripping movie than an ambitious experience, but perhaps it is forgettable.
It works on an auditory level.

Liorah told me 'Verborgen gebreken' was simply terrific. It all adds up to one big piece of nonsense.

I had high expectations because Eddy Terstall is one of my favourite directors but the film does not make an okay picture. It has some unsettling parts, still the structure is utterly old. Though a flick that examines humor, I found a few parts very frivolous.

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