Automatic translation of drunkmen's movie reviews on the Zone 5300 IFFR blog
The message of the movie resonates grace. The attitudes of it are intangible, but still it is painful. This picture is a myriad of gutpitfalls with a few flat scenes.
Liorah already saw it and recommended it, so my expectations were high but the script ultimately falls short . 'The Shutka Book of Records' is a rather perceptive flick, maybye the most cultural attempt at the festival lately. The movie lacks suspense. Untarnished yet facile.
It tops the list of most popular movies, so I wanted to see what it is about but it is most of the time pointless. The film is a kaleidoscope of stereotypes. Not slick, never the less the experience is thoughtful.
The movie is a tale full of innocence with some absorbing sacrifices. Daniele Gaglianone makes it eloquent and elegaic.
A very subversive picture. Pristine but harmless.
Atmospheric, exuberant and profound.
It has some engrossing moments. This
story works on a psychological level. The insight of it reverberates guilt.
'Cavite' is an exercise of morals. The moods of the script are buoyant, perhaps the idea does not make a cool flick. The attempt actually was a predictable movie. More of a bizarre movie than a beauty-induced work.
Insightful, edgy and entertaining.
It is a lesson of redemption with a few
irreverent shots, but perhaps Garrett Scott, Ian Olds makes it transparent and ambitious.
Though a picture that affirms depth, I found it very forced. Although the
film is endowed with a tableau of sparks and layouts, it is utterly
forgettable. It is most of the time pointless, surely the cinematography is
naturalistic.
The tale has some authentic parts, probably the most visceral script to hit the big screen this year. It is a letdown. A rather impeccable picture.
A whip-smart, perhaps inherently invigorating, outlandish drag.
A philosophical virtuoso ensemble piece.
'Sumas y restas' suffers from a cliche-driven certain imbalance. The experience is flawed by schematic acting. A movie that concerns satisfaction.
More of a distinctive story than a smart attempt.
This flick is sensual
and impressive. It works equally well on a political and a dramatic level.
My expectations were high. It is a myriad of styles. The movie is a film full of meditation, albeit it is actually overwrought. Thought-provoking yet cliche-ridden.
This outrageous script is a waste of film.
The intention of this picture challenges finesse. Not very smooth, but the attitudes of 'Off Screen' are unimpeachable.
I heard a lot about this movie. What a stereotypical piece of nonsense.
More of an emotional work than a shattering tale.
The story has some
encouraging elements, perhaps Kore-Eda Hirokazu turns it into something visionary.
The script is an examination of pitfalls, still the plot is totally cloudy
with its exploration of consistency. The perhaps occasionally honest attempt
doesn't produce a gratifying movie. Though it is intangible, engaging and
magical, I can't say it is exhilarating.
Though the flick promotes a study that obscures slickeffects, it is in the end abominable. 'Calvaire' ultimately fails to deliver. Substantial but schlocky.
Simply put, a big achievement.
The script is a movie full of zest with lots of frivolous sparks. It is groundbreaking, but still the filmmaking does not make an amusing picture. The soundtrack is pleasant as is the casting.
A very remarkable film.
The project is an analysis of
intellectualassociations. A tale that deconstructs sin.
More of a legitimate story than a fascinating movie.
This script works on a physical level. It falls short on stereotypes in the end, never the less 'Bin-jip' is a tableau of sacrifices.
More of an intriguing attempt than a gripping flick.
The film emanates an
analysis of sparks, no doubt it is languid.
Whang Cheol-Mean's direction is
vulgar. Not exuberant, however the insights of it are exuberant. The experience
is inspirational, evocative and enjoyable.
It is a myriad of stereotypes. The flick has some absorbing moments, maybye the most social picture in Rotterdam.
The festival paper called it a rather insightful tale, so my expectations were high. The emotion of this movie compels us to accept suspense. The script is urgent and intriguing, surely Susanne Bier's direction will not be to everyone's taste. 'Brothers' is a lesson of morals.
It comes down to one long bore.
A very profound attempt.
It suffers from a flat idea in the final moments.
The story is a project full of effervescence. The script is terrific and the
structure is absolutely terrific, perhaps the dialog is most of the time
aimless.
Realistic yet harmless. Perceptive, upbeat and elegaic.
A rather intriguing picture.
The tale does not produce a good attempt.
It becomes outrageous, but still an attempt that shows effervescence. It is
impressive and perceptive with a few elegaic scenes, still Hans Weingartner's
direction will not be to everyone's taste. 'The Edukators' is an exercise of
stereotypes.
An encouraging must see.
Exuberant and schlocky crap.
The flick has some convincing shots. The picture is a movie full of laughter with lots of gripping motivations, probably the most gut-wrenching script to hit the big screen since a long time. Despite the fact that this story is a melange of attitudes, I didn't find some moments sensual. More of a magical attempt than a honest movie.
It ultimately falls short of laughter. It is a very unsettling film, but perhaps it is slightly outrageous. The picture is an experience full of grace.
It is an enthralling tale.
'While Darwin Sleeps...' is truly excellent.
A must see.
The effect of the script is endowed with humor. The movie
affirms a tableau of socialsparks.
I had high expectations because the festival paper called it a subversive flick but '10e chambre, instants d'audiences' is most of the time pointless. The emotions of it are engaging. While the story works on a physical level, it fails in it's auditory celebration. A project that depicts finesse, albeit the dialog is totally infantile.
I had high expectations because I heard it is ambitious but aimless. Though the script is wonderful and the soundtrack is simply amazing, I found it very slick. Francesco Fei turns it into a suggestion that denies all innocence. A virtuoso letdown.
Clever yet cloudy.
The almost occasionally atmospheric script is in the
end a forgettable attempt.
Not irreverent, never the less this film is an
exercise of pitfalls. The movie works on a symbolic level, however Jessica Hausner
makes it evocative and urgent. This tale is bizarre with some ungainly
elements.
Absorbing, buoyant and smooth. A rather fascinating picture.
The experience is a kaleidoscope of intentions. It doesn't make a cool movie, albeit it is a celebration of catharsis. 'Le chiavi di casa' has some authentic moments.
The flick attacks an analysis of personalmoods. The attempt suffers from an entertaining dramatic imbalance in the final shot.
The Daily Tiger said 'the insight of it challenges depth'. The script is more of an edgy story than a profound movie. This film is a script full of indulgence, but it is old. While the movie is a myriad of laughs, it is most of the time harmless. Impeccable, sincere and whip-smart.
It is an examination of stereotypes. The styles of it are eloquent, probably the most intellectual work to hit theaters lately. The tale is transparent and philosophical with a few substantial pitfalls.
A must see.
My expectations were high. The composition is smart. A movie that analyses realism, surely the filmmaking is utterly flawed with its tableau of attitudes and messages. As much as 'Samaritan Girl' works on a psychological level, I thought it was profane.
A very untarnished picture.
The movie is more of a remarkable flick than a
caustic attempt. The story is an exercise of zest. It does not result in a nice
movie.
In short, superficial and haunting fun.
The project is flawed by disjointed lighting in the final reel. The singular script ultimately falls short .
I expected a lot from this tale but it actually was overwrought and stereotypical. Although 'Verborgen gebreken' has some engrossing moments, it is most of the time aimless. Even if the motivation of this film reflects on grace, I didn't find it exhilarating. A big achievement.
Compelling but pointless.
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