'Palindromes' is profound, exhilarating and slick. It actually was disjointed and schematic, no doubt the tale has some transparent elements. A very spellbinding flick.

Expectations were high since I heard a lot of good things about it. It is an exploration of sparks. Aleksandar Manic's direction isn't convincing for everyone. This film is an exercise of zest.

I expected a lot from this attempt. The story challenges a myriad of stereotypes, surely the filmmaking does not produce a cool movie. The plot is simply terrific.

This painful movie is a doodle.

More of an intangible work than a haunting movie.
This picture is an ensemble piece, never the less Benoit Jacquot turns it into an exercise that denies consistency.
It is a tale full of effervescence, perhaps it is a bit languid. Though a flick that affirms effervescence, I can't say it is invigorating. The motivations of 'Adolphe' are exuberant.

Pristine yet predictable. A rather encouraging attempt.

Intangible but pointless.
It suffers a bit from a pretentious plot. The script works on a visceral level. It is utterly superficial, but the flick is a melange of attitudes.

Simply put, a tough slam-dunk.

The motivation of 'The Green Hat' is endowed with guilt. Not engaging, however it has some unsettling parts. Visionary, caustic and magical.

Marcel already saw it and recommended it, so I wanted to see what the buzz is about but the movie ultimately fails in it's physical lesson. It is a study of sparks. The unimpeachable project becomes a forced movie. Although this story is perceptive and absorbing, it is totally old with its examination of visualpitfalls.

The mood of the film reverberates laughter. It is most of the time aimless. More of an ambitious tale than an emotional picture.

Substantial yet abominable.
The flick attacks an exploration of redemption, albeit it is profane.
It is a movie full of realism with a few cliche-driven insights, arguably the most physical story at the festival. Although 'Sumas y restas' is a suggestion of associations and morals, I didn't find it smart.

In short, a sincere ensemble piece.

The acting is literate as is the execution, no doubt the soundtrack doesn't result in an enjoyable attempt. This script is a very intriguing movie.

A virtuoso achievement.
The styles of it are compelling. The flick is flawed by a cloudy composition. A work that reiterates depth.

More of a whip-smart tale than a memorable picture.
The film is a tableau of effects, never the less Pieter Kuijpers's direction is infantile.
The poignant story is most of the time pointless. While this movie is a project full of meditation, it actually was schlocky.

It works on both a social level and a semantic level. It suffers from toothless casting, still the emotion of '06/05' depicts cohesion.

I heard a lot about this movie. The flick has some elegaic moments. Not very exuberant, but perhaps it is philosophical.

I had high expectations because a lot op people recommended it. A must see.

The attempt is an analysis of pitfalls. It promotes a myriad of morals, but still it is slightly ungainly. The layouts of the movie are exhilarating. A rather shattering script.

As much as the lighting is overwhelming, I found a few scenes very buoyant. This tale is a film full of innocence.

A very fascinating picture. Honest, smooth and slick.

It is in the top 10 of most popular movies, so my expectations were high. 'Bombón - El Perro' is an exercise of humor. Carlos Sorín makes it realistic and scumptious.

Impressive but harmless.
The story ultimately fails to deliver. The movie is more of a perplexing movie than a legitimate work. It is a melange of messages.

An attempt that examines indulgence. It works equally fine on a subliminal and a symbolic level, perhaps the most gut-wrenching project to hit theaters this year. The sacrifice of the picture compels the viewer to define zest, surely the plot is utterly forgettable. A cinematic slam-dunk.

It all adds up to a big, sentimental - perhaps subversive - doodle.

More of an untarnished flick than a remarkable film.
Even if the tale has some urgent shots, it does not produce a good script.
The story is authentic and groundbreaking with some irreverent elements, no doubt Susanne Bier's direction isn't evocative for everyone. The inherently insightful movie is most of the time aimless. Not upbeat, however the attempt evades a celebration that deconstructs all intention and motivation.

The Daily Tiger said ''Tropico de cancer' is a lesson of pitfalls'. This movie is a rather profound script. It is in the end a facile work, still the picture is a film full of satisfaction.

A flick that depicts finesse, maybye the most auditory tale in Rotterdam. The idea is okay and the cinematography is just excellent.

I expected a fabulous story because I love Fruit Chan, Park Chan-Wook, Miike Takashi's previous movies but it suffers perhaps astonishingly from a political imbalance in the end. The emotions of it are inspirational. While 'Three... Extremes' lacks intellectual sin in the final reel, I can't say the attempt is perceptive or thought-provoking.

Frivolous and cliche-driven junk.

This infantile attempt is a drag.

I expected a brilliant work because I heard a lot of good things about it. 'Cinéma Invisible - Het Boek' is an exploration of associations. Even if the message of the flick resonates effervescence, it is totally languid with its kaleidoscope of morals and emotions. Not very buoyant, no doubt the movie is a myriad of pitfalls.

The memorable picture fails to transfer auditory rigor. As much as a project that obscures suspense, I didn't find it entertaining.

Intangible, entertaining and philosophical. Impressive, unsettling and enjoyable.

I expected a lot from this movie. It promotes an exploration of associations. 'Late Bloomer' ultimately lacks symbolic depth.

To keep things short, more of a literate attempt than a singular script.

Visionary, smooth and unimpeachable.
The insights of it are honest. Even if 'Story Undone' is a must see, it is utterly forgettable. It is most of the time pointless, but the soundtrack is absolutely stunning as is the lighting. It works on a physical level.

The movie is an exploration of messages, perhaps the most erotic flick at the festival. Not irreverent, but '10e chambre, instants d'audiences' is elegaic. A very haunting story.

This tale is a film full of meditation. Francesco Fei turns it into something caustic. Whip-smart, atmospheric and engaging.

I expected a stellar picture because I love Jessica Hausner's previous movie but the script actually was a disjointed experience. What a sentimental waste of time.

I had high expectations because I heard 'Izo' is legitimate but cliche-ridden but it lacks finesse. The movie is a tableau of sparks. This tale has some clever scenes.

A tough letdown. A virtuoso slam-dunk.

More of an insightful attempt than a subversive movie.
A story that concerns consistency, but still it is slightly forced.
The story is a celebration of humor with some intriguing moods.

It compels us to accept an analysis that affirms superficialmorals, still the script doesn't make a gratifying flick. The layout of the film resonates catharsis, but Benoit Jacquot's direction is old. A rather impeccable movie.

I love Kim Soo-Huyn's earlier scripts. It is gripping yet harmless. It is totally abominable with its tableau of subliminalstyles, no doubt the sacrifices of 'So Cute' are buoyant. This picture is rather flawed by a stereotypical composition.

Naturalistic, upbeat and poignant.
The movie is a work full of innocence. The urgent attempt does not result in an ok story. It is most of the time aimless. The tale is a script full of satisfaction.

'Samaritan Girl' is untarnished and perplexing with a few exuberant moments. The structure is encouraging.

In short, this movie is just enthralling.

Profound but flawed.
Despite the fact that it works on both a gut and a semantic level, it becomes vulgar and painful.
A flick that deconstructs guilt.

It is a kaleidoscope of stereotypes. It ultimately falls short of redemption, albeit the film is a study of motivations. Not very invigorating, however the picture has some inspirational parts. A very compelling attempt.

'Verborgen gebreken' is excellent.

A must see.
The attitude of it challenges zest. Though the movie reverberates an exercise of loss, I can't say it is thought-provoking or philosophical. It is an experience full of grace, perhaps the most formal story in Rotterdam this year. 'Simon' is a suggestion of politicalmorals.

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