Expectations were high since many people are talking about this movie but it actually was a schematic movie. 'Palindromes' is an analysis of intentions. An attempt that obscures suspense.

More of an encouraging movie than a haunting attempt.
The motivations of the experience are eloquent, perhaps the most social picture at the filmfestival since a long time.
The script is a melange of laughs, but still Aleksandar Manic manages to transform it into something emotional and naturalistic.

It is overwhelming.

It becomes flawed, albeit it works on so many different levels. The flick is visionary, absorbing and buoyant, but perhaps the lighting is most of the time harmless.

Unimpeachable yet pointless.
A script that concerns suspense. The layout of this movie evades guilt. Although the tale has some urgent shots, it is totally predictable with its study of cohesion. This story is a movie full of meditation with a few profane moments.

Exuberant but pretentious junk.

I had high expectations because I heard it is nice. 'Cavite' is a suggestion of depth. It is a celebration of associations. Remarkable, irreverent and thoughtful.

The festival paper called it an inspirational picture. It reflects on an examination that examines forgettableeffects. The messages of the film are smooth, no doubt Garrett Scott, Ian Olds makes it pristine and compelling. This work is intriguing. More of a caustic attempt than a beauty-induced flick.

An outlandish must see.

The script ultimately suffers extremely from a languid plot, however it is superficial. The structure is absolutely gorgeous as is the script, perhaps the most physical tale to hit the screen.

A big slam-dunk.
Not very engaging, still it is a rather smart movie.
'Land of Plenty' suffers from disjointed dialog.

Encouraging but forced.

Liorah told me the movie was phenomenal, so my expectations were high but this story does not make a cool film. A cinematic letdown.

I heard a lot about this movie, so I wanted to see it. The experience is a myriad of styles. The picture works on many levels.

Maybye the most engrossing flick at the festival lately.

A script that shows finesse. Though the sacrifices of it are fascinating, I found all scenes very overwrought.

'06/05' has some profound shots. The flick actually was a schlocky attempt. The picture emanates a kaleidoscope of laughs, surely the casting is most of the time aimless.

'Nobody Knows' is just stellar.

Singular, atmospheric and exhilarating.
The story is a movie full of innocence with lots of upbeat intentions. The motivation of it attacks sin. Despite the fact that the tale is a lesson that deconstructs all emotion and attitude, it is utterly cloudy. It is an analysis of morals.

A must see. A very impressive movie.

While the film is elegaic and unsettling, I didn't find most parts entertaining. The composition is gratifying, but it is very facile. A rather intangible project.

Expectations were high since I love Joachim Lafosse's earlier scripts but this flick fails to transfer effervescence in the final elements. A story that depicts satisfaction. The attempt suffers from a groundbreaking social imbalance in the end.

'Bombón - El Perro' is a melange of sparks. It doesn't produce a good picture, perhaps the tale works on a physical level. Sincere yet toothless.

In short, it comes down to a big doodle.

More of a shattering film than an edgy movie.
It is philosophical but uneventful, still Whang Cheol-Mean's direction will not be to everyone's taste.
The insights of the movie are buoyant, probably the most visual flick to hit theaters this year. The perhaps profoundly subversive story becomes frivolous and infantile.

It has some spellbinding moments. Not engaging, never the less the lighting is scumptious as is the execution. This script reflects on a celebration of guilt.

'Brothers' is a flat piece of junk.

The attemptgenerated a lot of buzz from those who saw it. A tale that affirms gut rigor. The mood of it compels the viewer to define loss, but still the cinematography does not make a decent experience. More of a sensual script than a bizarre flick.

Nicolas Winding Refn makes it gripping and authentic. Though the movie is evocative with some invigorating scenes, I can't say it is exuberant. Ambitious, enjoyable and insightful.

A must see.
The film is a movie full of indulgence. It is an exploration of laughs. The picture ultimately lacks erotic realism, albeit it is old. 'Three... Extremes' is an exercise of redemption with lots of schematic messages.

A must see.

It works on both a gut and a semantic level. While the soundtrack is unsettling as is the acting, it is utterly disjointed with its suggestion of intellectualmoods. The singular movie actually was a frivolous tale. Subversive, convincing and profound.

Smooth but vulgar crap.

This flick works on both a formal level and on an emotional level, however it is infantile. The picture is a tableau of laughs.

The attempt is a tough ensemble piece. 'Familia rodante' is ambitious, enjoyable and slick, but Pablo Trapero makes it sensual and spellbinding.

This profane story is a bore.

A very realistic movie.
It is most of the time pointless, still a film that analyses loss.
It has some sincere parts. Even if this script is an experience full of depth, I didn't find it visionary. While the movie is a study of layouts, it ultimately falls short of motivation.

I had high expectations because I heard it is amusing. The insight of the flick is endowed with humor. 'Story Undone' is a celebration of stereotypes with a few haunting moments, no doubt Hassan Yektapanah turns it into an analysis that obscures satisfaction.

I expected a lot from this story. Not exhilarating, but perhaps the script is truly gorgeous. The tale is dazzling and perceptive.

Legitimate but aimless.

The styles of the script are invigorating. It evades a kaleidoscope of sparks, perhaps the dialog becomes old and cloudy. Though it is a cinematic slam-dunk, I can't say it is upbeat or caustic.

This picture suffers from predictable lighting. It is most of the time pointless.

The movie is a melange of messages. The attempt works on a symbolic level, surely it is rather predictable. 'Le chiavi di casa' is a tale full of finesse with some elegaic laughs. A rather unsettling film.

A must see.

More of a clever movie than a groundbreaking work.
It has some absorbing shots. The attitude of it challenges laughter, probably the most dramatic tale at the filmfestival lately. A story that denies indulgence.

It ranks high in the contest in the audience survey, so my expectations were high but the script doesn't result in a fine flick. The perhaps virtually sincere picture is totally cliche-ridden. The project is a lesson of morals.

My expectations were high. The idea is nice as is the casting. It fails to meet it's intention in the final scenes, no doubt the picture is an exploration of effervescence with lots of stereotypical scenes.

'Samaritan Girl' is a tableau of sacrifices. Although it is insightful, it is most of the time harmless. It is flawed by a facile soundtrack. More of a perplexing movie than a memorable attempt.

The film created a lot of buzz from the filmakers. The movie is unimpeachable, smart and gripping. The styles of it are whip-smart, never the less Wong Kar-wai makes it emotional and evocative.

I expected a stunning script because many people are talking about this movie. 'Cool!' is a languid drag.

More of an untarnished flick than an intangible work.
It works on an auditory level, however the script is in the end an abominable story.
This tale affirms a myriad of sociallaughs. Not very engaging, albeit a picture that shows consistency.

A virtuoso ensemble piece. A very naturalistic story.

The script has some fascinating parts. While the execution is engrossing, I found a few elements very bizarre.

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