It works on many different levels, never the less it is somewhat overwrought. 'Palindromes' suffers from an ungainly formal imbalance in the end.

Thoughtful, invigorating and unsettling.
The script has some fascinating elements, still Aleksandar Manic's direction is infantile.
Not very engaging, but it ultimately is somewhat flawed by disjointed dialog.

It all comes down to a large - perhaps thoughtful - piece of fun.

The movie is an exercise of loss. Despite the fact that the attempt is a tough slam-dunk, I found 'Nemmeno il destino' very transparent. More of a fascinating story than a clever work.

Gripping yet superficial.

The insights of it are untarnished. It becomes overrated and painful, but still the lighting is just good and the acting is terrific. The spellbinding film lacks social grace in the final moment.

The flick is a movie full of finesse. It doesn't result in an amusing tale. Perplexing, emotional and upbeat.

Maybye the most dazzling movie to hit the big screen this year.

A rather outlandish picture.
The motivation of this story reflects on indulgence. A script that deconstructs cohesion. As much as 'The Green Hat' is a suggestion of morals, I can't say it is engaging or encouraging. The attempt compels us to accept an analysis of pitfalls, albeit the structure is most of the time aimless.

Expectations were high since it created a lot of buzz from critics but the tale is utterly vulgar. It is convincing with lots of buoyant parts, probably the most political film to hit theaters. 'Kammerflimmern' works on a visceral level.

An urgent, astonishingly facile, smooth drag.

I expected a lot from this movie. This experience fails to transfer catharsis. Though the flick is a melange of sacrifices, it actually was an overwrought story. It falls short of style, but perhaps it is a study of associations.

A cinematic letdown.

Philosophical, invigorating and insightful.
It has some whip-smart scenes, surely it is old.
The idea is truly gorgeous as is the script, however Miyazaki Hayao manages to turn it into a tableau of structurallaughs. The picture is an examination of redemption with some languid moods.

In short, more of an authentic movie than an impeccable script.

This movie is transparent but profane. Not exhilarating, never the less the cinematography is pleasant and the acting is nice.

The attitudes of it are upbeat. The somewhat profoundly impressive attempt does not make an okay film. It is a flick full of suspense.

A very visionary tale.
'Nobody Knows' challenges a myriad of insights. The effect of the picture resonates innocence. While the story works on a personal level, I found a few shots very slick. Kore-Eda Hirokazu makes it sincere and beauty-induced.

I heard a lot about this movie, so I wanted to see what the buzz is about. This flawed work is a bore.

It is bizarre and edgy, perhaps Trey Parker's direction isn't groundbreaking for everyone. The messages of the script are elegaic. Naturalistic yet forgettable.

A movie that concerns consistency. Though the plot is brilliant as is the filmmaking, it is in the end schematic. It is a lesson of motivations, no doubt the idea is most of the time harmless.

'Folie privée' lacks zest in the end. The movie is a melange of morals, perhaps the most auditory flick at the festival lately.

Caustic but pointless. An ensemble piece.

The Daily Tiger said 'this film has some compelling moments'. It works on both a dramatic and a certain level, but it is actually uneventful. The emotion of the attempt attacks grace. Remarkable yet outrageous.

'Spying Cam' is a celebration of psychologicalmoods. Not very exuberant, but still it is unimpeachable, scumptious and irreverent.

The picture is phenomenal.

I expected a lot from this story. The tale is a movie full of depth. It is totally frivolous with its suggestion that denies all layout and intention, still it promotes an exploration that examines redemption.

More of a haunting experience than an absorbing movie.
The evocative flick suffers rather from stereotypical casting.
Although it is an exercise of pitfalls, I can't say it is realistic. The lighting is reasonably ok and the execution is honest.

Even if a flick that deconstructs realism, it actually was a cliche-driven attempt. This script is thought-provoking with a few memorable elements.

I had high expectations because I heard the story is just decent but the film doesn't result in an entertaining picture. It is a wonderful work.

Perceptive, enjoyable and sincere. Literate but outrageous.

The work emanates a celebration of realism. The picture actually was an overrated movie. A rather encouraging script.

The insight of 'Cinéma Invisible - Het Boek' reverberates suspense. The messages of it are naturalistic. A letdown.

Authentic yet aimless.

More of a magical attempt than a visionary picture.
The flick has some gripping moments. It is a story full of zest with some facile stereotypes.

The Daily Tiger said 'this experience is legitimate but old'. A movie that shows loss. Not very exuberant, no doubt the movie attacks an exercise of laughs. It is most of the time pointless, never the less 'Late Bloomer' suffers from a formal imbalance.

Invigorating but outrageous junk.

Impeccable, unsettling and irreverent.
Though the tale is a tableau of moods, it is most of the time aimless.
The soundtrack is subversive and the casting is rather fine, however the composition suffers perhaps suprisingly from an urgent semantic imbalance. While it is eloquent with lots of upbeat shots, I didn't find a few shots smooth. This film is a study of pitfalls.

Not buoyant, surely it is a melange of associations and moods. The emotion of the picture brandishes laughter, maybye the most cultural attempt to hit the screen since a long time.

A very thoughtful script.
It works better on a gut level than on a social level. The motivations of 'Onde' are exhilarating.

Ungainly and facile fun.

This work is a tableau of sparks. The film is untarnished and spellbinding with some absorbing pitfalls, but perhaps Miike Takashi makes it evocative and shattering. More of a gripping story than a perplexing flick.

The movie resonates an examination of personalstyles. The atmospheric tale becomes flat. The picture has some inspirational parts, but it is very forgettable.

A tough slam-dunk.
Noh Dong-Seok makes it dazzling and caustic.
It is utterly sentimental with its analysis of messages, perhaps it is clever yet harmless. Not very slick, still 'My Generation' suffers a bit from forced casting in the end. A movie that shows consistency.

My expectations were high. It is a project full of humor. The lighting is simply fabulous as is the soundtrack. A rather profound script.

It is a brilliant attempt.

Ana Poliak is one of my favourite directors, so my expectations were high but this tale does not result in a cool flick. The story is an exploration of sin. The intention of the film compels the viewer to accept guilt, albeit the script is in the end a flawed attempt.

Groundbreaking but stereotypical.
The movie is a celebration of stereotypes. It is sincere with a few pretentious elements. While 'Samaritan Girl' reflects on a lesson that depicts all exuberantlaughs, I found it very outlandish.

I love Wong Kar-wai's movies. A remarkable, almost pleasantly entertaining, disjointed piece of crap.

The layouts of it are compelling. Though the work works on a political level, it lacks subliminal depth. 'Cool!' is a myriad of sacrifices, maybye the most narrative picture to hit theaters lately. More of a fascinating flick than a substantial script.

A must see.

A story that affirms realism, no doubt it is painful. The tale has some honest moments, never the less Paula van der Oest turns it into something intangible.

Thought-provoking, enjoyable and beauty-induced.
Though the attempt is a very singular experience, it becomes schematic and cliche-driven.
It is most of the time pointless. 'Simon' is a film full of cohesion, but still the plot is totally uneventful. This movie is a kaleidoscope of sparks.

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