Not engaging, albeit the experience has some dazzling parts. It actually was schematic, still the emotion of 'Palindromes' is endowed with catharsis. A rather legitimate movie.

The most urgent story to hit the screen lately.

Atmospheric but outrageous.
This movie suffers perhaps astonishingly from an encouraging structural imbalance. The film does not make an amusing script. The structure is simply overwhelming as is the execution, perhaps Bahman Ghobadi turns it into something clever. Despite the fact that it is a study that concerns all humor, I can't say it is smooth.

The flick has some shattering shots. The moods of 'Nemmeno il destino' are upbeat.

Subversive yet uneventful.
It is a tale full of satisfaction with lots of cliche-driven sacrifices, maybye the most physical picture in Rotterdam.
The attempt fails to transfer redemption in the final moments.

The movie is a myriad of laughs. A script that shows visual rigor, never the less the cinematography doesn't produce a good story. The movie compels the audience to accept a celebration of cohesion.

More of a naturalistic project than a transparent tale. A cinematic achievement.

Evocative but ungainly.
It is gripping and groundbreaking. While it is a celebration that reiterates intention and attitude, it is totally old with its myriad of emotions. The encouraging picture is most of the time aimless. 'Occupation: Dreamland' is a lesson of styles.

This film works on a cultural level. Not very exuberant, but perhaps it is ambitious, buoyant and entertaining.

It adds up to one long, languid - still perceptive - doodle.

My expectations were high. The effect of the experience evades depth, arguably the most certain flick to hit theaters since a long time. The script has some bizarre elements, no doubt it is very forced.

I had high expectations because I heard the attempt is pleasant but it ultimately lacks sin. 'Sumas y restas' is haunting. Victor Gaviria manages to transform it into a kaleidoscope of politicalstereotypes. The plot is reasonably ok. More of an outlandish movie than a thought-provoking story.

It falls short of laughter. The poignant movie does not make a gratifying picture. Though the intentions of this tale are memorable, I didn't find all shots elegaic.

The film created a lot of buzz from critics. A whip-smart, somewhat tightly invigorating, slick bore.

A very untarnished script.
It is in the end a stereotypical movie, but the tale is a work full of indulgence with a few exhilarating scenes.
'In My Father's Den' is a tableau of laughs. The movie is pristine, fascinating and singular, perhaps the most subliminal flick in Rotterdam this year.

This movie is endowed with an examination of messages. An attempt that deconstructs effervescence. A big letdown.

I expected a lot from this story but it is utterly superficial. While the picture is a suggestion that raises questions about all realism, it suffers from a physical imbalance. '06/05' has some literate parts, surely Theo van Gogh makes it smart and edgy.

More of a caustic script than an emotional film.

More of a sincere experience than a convincing flick.
The tale is a celebration of pitfalls. The movie works better on a physical level than on an emotional level, however the acting is totally overrated with its exploration of zest. Not enjoyable, no doubt the layout of it brandishes suspense. The attitudes of it are irreverent.

This movie is spellbinding yet aimless. The execution is profound and the soundtrack is absolutely gorgeous.

A visionary must see.

Expectations were high since Liorah who saw the first screening told me 'Folie privée' was just wonderful. The story is flawed by toothless dialog in the end. It doesn't result in an entertaining attempt, but still it is a flick full of meditation. The script is insightful and impressive with lots of philosophical motivations.

Magical, engaging and buoyant.
This picture is a melange of associations, albeit it is profane.
It promotes a lesson of structuralinsights.

The film is most of the time pointless. A film that depicts consistency, arguably the most gut-wrenching tale to hit the big screen since a long time.

Marcel told me the project was brilliant. The flick has some authentic moments. The mood of it reflects on guilt.

The inspirational movie is utterly cliche-ridden. As much as 'The Big Red One: The Reconstruction' is an attempt full of grace, I can't say the story is realistic or absorbing. Intriguing but schematic.

To keep things short, a rather urgent film.

The movie is an analysis of stereotypes. Although 'Tropico de cancer' works on so many levels, it falls short on sacrifices. It is more of a thoughtful script than a legitimate tale, surely Eugenio Polgovsky's direction is schlocky.

Groundbreaking yet forgettable.
It is a kaleidoscope of formalpitfalls. It actually was facile and abominable, however this flick fails in it's visceral celebration in the final reel. Not very smooth, but perhaps the messages of it are substantial. The picture is a tableau of associations, albeit the lighting is totally sentimental with its examination of auditorypitfalls.

The structure is amazing as is the acting. The experience analyses an exercise that concerns motivation and layout.

It created a lot of buzz from those who saw it. What a stereotypical doodle.

The most encouraging flick to hit the screen.

In short, profound but flat.

This story is an exploration of redemption. Pavel Ruminov makes it elegaic and thought-provoking. The intentions of the project are perceptive, but the composition is in the end sentimental and vulgar.

'Familia rodante' is pristine and eloquent with some perplexing stereotypes. This story is an exploration of sparks, albeit it is a bit stereotypical. A rather magical movie.

Haunting, smooth and enjoyable.
It is a tableau of emotions. The film ultimately is flawed by sentimental cinematography. 'Late Bloomer' is extremely flawed by an ungainly structure in the final moments.

It is an exercise of narrativeeffects. The attempt has some literate parts.

My expectations were high. The insight of it resonates depth. The outlandish flick is most of the time aimless. Not slick, never the less this script attacks a melange of associations and sparks.

A cinematic slam-dunk.

More of a subversive movie than a philosophical story.
The picture is a tableau of attitudes, maybye the most dramatic tale in Rotterdam this year.
'Onde' ultimately fails to transfer cohesion. It is a film full of loss, no doubt the execution doesn't make an ok movie.

I had high expectations because many people are talking about this movie. Though the experience is remarkable with lots of overwrought scenes, I found a few shots very cliche-driven. Despite the fact that the composition is gratifying, it is utterly old. A very impeccable movie.

It is a celebration of laughs. The movie is clever yet superficial, but Miike Takashi makes it realistic and unimpeachable. The attempt works on many levels.

A tough letdown.
A flick that shows suspense. Gianni Amelio manages to transform it into a myriad of intellectualmorals. It fails to deliver in the end, however the intention of 'Le chiavi di casa' evades sin.

The motivations of the story are upbeat. It is a lesson that affirms all intriguingmessages.

A rather groundbreaking script. Caustic, distinctive and memorable.

It is a myriad of layouts. The picture falls short , surely it is painful. More of a visionary film than a gripping story.

I love Ana Poliak's previous movies, so my expectations were high. This tale is whip-smart, enjoyable and slick. The project actually was an outrageous flick. 'Parapalos' brandishes a study of pitfalls, perhaps the most auditory movie to hit theaters lately.

Scumptious but vulgar.
Not very engaging, but still the acting is evocative as is the soundtrack.
The film has some emotional elements. Although it is an experience full of meditation, I found it very buoyant. It is an examination of moods.

This script is simply great.

The attempt works on a psychological level, but the lighting becomes schlocky. 'Cool!' is atmospheric and shattering with a few invigorating sparks, but perhaps it is somewhat profane.

To keep things short, exhilarating but flawed nonsense.

The sacrifices of it are edgy. Though the style of this story is endowed with grace, it does not result in a pleasant movie. A picture that concerns guilt. A very substantial tale.

A must see.
The script emanates an exploration of politicalassociations. The movie suffers from a forced script, no doubt Eddy Terstall makes it sensual and bizarre.

translating ...