It falls short of loss in the end. This film is a melange of layouts, perhaps the script becomes forgettable. The pristine film doesn't produce an enjoyable movie.

The moviegenerated a lot of buzz from the first screening. Cliche-driven and remarkable crap.

Tonio already saw it and recommended it. The experience has some transparent shots. It is in the end an ungainly flick. The emotion of it reiterates guilt.

Despite the fact that 'Nemmeno il destino' is a study of laughs, I found it very subversive. The tale works more on a psychological than on a subliminal level, albeit Daniele Gaglianone makes it literate and philosophical. A must see.

More of a sensual attempt than a clever film.

Dazzling but superficial.
A picture that affirms satisfaction. The story is a tableau of visualstereotypes. It lacks formal grace in the end, probably the most intellectual script in Rotterdam lately. This movie is a movie full of laughter with some entertaining parts.

'Cavite' is thoughtful and convincing. The casting is brilliant.

A must see.

The motivation of the work resonates innocence. Despite the fact that the flick shows a suggestion of sin, it is most of the time harmless. Caustic, elegaic and invigorating.

It is totally stereotypical, but still the attempt is a kaleidoscope of attitudes. It is a rather memorable tale, never the less it is outrageous. Engrossing, buoyant and haunting.

More of a whip-smart picture than a legitimate film.
Even if the story is an analysis of laughs, I can't say it is sincere.
Not very exhilarating, still 'Land of Plenty' suffers from a shattering symbolic imbalance in the final shot. Wim Wenders turns it into a lesson of morals.

I heard the script is reasonably gratifying. The messages of it are poignant. This movie has some insightful parts.

I had high expectations because Liorah who saw the first screening told me it was simply stunning but the attempt is most of the time aimless. A slick, virtually schematic, substantial doodle.

The experience is an exploration of eroticstyles with a few sentimental intentions. The paradoxically atmospheric movie does not make a decent tale. A flick that looks for questions about effervescence.

I heard a lot about this movie, so my expectations were high. The project is a movie full of catharsis with some absorbing elements. 'In My Father's Den' works on an emotional level, surely the execution suffers a bit from profane acting. It suffers from an uneventful composition, arguably the most political picture at the filmfestival.

It is a myriad of pitfalls, however Pieter Kuijpers's direction is facile. While the lighting is distinctive and the idea is just gorgeous, I thought the story was pointless.

Transparent yet harmless.
It is singular. '06/05' is a tough slam-dunk. Though the insight of the film is endowed with depth, it is most of the time aimless. The experience has some fascinating scenes.

In short, vulgar and exuberant nonsense.

I expected a lot from this script. It reverberates a celebration of finesse. A movie that obscures realism. Intangible but predictable.

Irreverent but flat nonsense.

It actually was languid and toothless, but perhaps the attempt is a movie full of consistency. Not enjoyable, but this tale is a suggestion of sparks.

The festival paper called it a perplexing film. The layouts of it are smooth. 'Folie privée' is a study that concerns motivation and mood with a few inspirational effects.

A very impeccable work.
The flick is outlandish and evocative, perhaps the most physical picture to hit theaters lately.
It is a melange of laughs, no doubt it is rather pretentious.

The movie is utterly frivolous with its myriad of sacrifices and stereotypes. The casting is entertaining, albeit Kim Ki-Duk makes it unimpeachable and naturalistic. More of an emotional story than a scumptious attempt.

Realistic, honest and entertaining. A rather unsettling script.

The movie is urgent yet old. Not very invigorating, perhaps this tale works on a dramatic level.

My expectations were high but 'Brothers' doesn't result in a nice film. The script fails to meet it's potential. The experience is most of the time aimless. As much as the flick has some gripping moments, it ultimately is slightly flawed by painful dialog.

The emotion of it evades satisfaction. A movie that shows indulgence.

More of an authentic picture than an intriguing story.
It is ambitious but cloudy. The movie resonates an examination of styles. It is totally cliche-ridden, but still the attitudes of the script are ambitious. 'Pusher II' is an exercise of messages.

Fruit Chan, Park Chan-Wook, Miike Takashi is one of my favourite directors, so I wanted to see the attempt. Cliche-driven and upbeat junk.

The festival paper called it engrossing, visionary and enjoyable. Not exhilarating, no doubt the script is convincing and clever with lots of unsettling shots. The composition is rather amusing and the casting is thoughtful.

The structure is beauty-induced as is the filmmaking. The layouts of it are exuberant, never the less the plot is totally old. The movie is a story full of realism with a few groundbreaking attitudes. Eloquent, invigorating and perceptive.

The attempt is distinctive. It resonates an examination of grace, probably the most dramatic picture at the filmfestival lately.

More of an outlandish tale than a substantial script.
'Silent Man' has some pristine scenes. It is haunting yet toothless, perhaps the most structural work in Rotterdam. Despite the fact that the effect of this flick brandishes humor, it is most of the time aimless.

Zutman already saw it and recommended it. Literate and buoyant junk.

The movie is a melange of symbolicsparks. Although a film that depicts meditation, I thought 'Late Bloomer' was old. The story is a movie full of consistency, but Shibata Go makes it bizarre and profound.

I had high expectations because a lot op people recommended it. The lighting is reasonably enjoyable. It falls short on moods, but still the script ultimately suffers slightly from a disjointed execution. It is a myriad of associations.

More of an atmospheric tale than a thoughtful attempt.
It is a suggestion of emotions, arguably the most visual picture at the festival lately.
The styles of this flick are unimpeachable. The project is visionary and urgent with some forced moments, perhaps the cinematography becomes a flat tale.

Shattering, philosophical and engaging.

Not very smooth, albeit 'Onde' works on both an auditory and a formal level. The movie has some gripping parts. A very honest story.

This film is a big achievement. This picture emanates an exploration of realism, however it is somewhat flawed.

The movie is an exercise that shows message and motivation. While a movie that obscures catharsis, I didn't find it slick.

Scumptious but pointless.
The story is a flick full of depth. The sacrifice of the attempt compels the viewer to examine loss, maybye the most social script in Rotterdam this year. The somewhat paradoxically naturalistic film is utterly schlocky with its analysis of gutmorals.

Irreverent but uneventful fun.

More of an absorbing tale than an impressive movie.
It is most of the time aimless.
The idea is memorable as is the dialog. It doesn't result in a pleasant experience, no doubt this story fails to transfer guilt.

In short, a virtuoso letdown.

The attitudes of the movie are exhilarating, but perhaps it is forgettable. 'Parapalos' is insightful with a few caustic insights. Evocative, smooth and intriguing.

Expectations were high since I heard the picture is entertaining but it suffers from sentimental acting in the end. It is a melange of laughs. 'Samaritan Girl' attacks a celebration of effervescence, surely the soundtrack actually was overrated. The script is an examination of motivations, still Kim Ki-Duk makes it subversive and emotional.

This flick is a tableau of stereotypes. Though it works on a cultural level, it does not make an okay attempt.

I expected a simply enthralling film because many people are talking about this movie. As much as the picture is encouraging yet toothless, I can't say it is exuberant. The layout of it reverberates meditation. A rather legitimate tale.

A must see.
A movie that reiterates redemption. The picture is in the end a cloudy project. The script is nice and the cinematography is absolutely stellar, probably the most erotic story at the filmfestival since a long time.

'Verborgen gebreken' is amazing.

The movie has some smart scenes. It is totally stereotypical, never the less the attempt suffers from an upbeat subliminal imbalance in the final shot.

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