Automatic translation of drunkmen's movie reviews on the Zone 5300 IFFR blog
The story is a study of depth with some urgent moments. The emotions of 'Palindromes' are invigorating, never the less it is slightly disjointed. It is a letdown. Engrossing, exhilarating and irreverent.
What a painful waste of time.
The impeccable picture doesn't produce an entertaining script. The movie is beauty-induced and intangible with a few unimpeachable morals, albeit Bahman Ghobadi makes it unsettling and absorbing.
The cinematography is phenomenal. This flick is a suggestion of messages.
An invigorating, somewhat ironically stereotypical, elegaic drag.
A must see.
It is a kaleidoscope of sparks. The attempt is a very
visionary flick. 'The Adventure of Iron Pussy' evades a lesson that deconstructs all depth, maybye
the most subliminal movie to hit theaters this year.
The effect of it concerns satisfaction. The film actually was facile and predictable.
I had high expectations because I saw an engrossing interview with Garrett Scott, Ian Olds. Garrett Scott, Ian Olds's direction isn't haunting for everyone. While the tale is an exploration of laughter, it suffers from an auditory imbalance.
Poignant yet cliche-driven.
It has some bizarre scenes, however Liu Fendou
makes it sensual and caustic.
Though the script is a story full of
catharsis, I can't say this experience is sincere. It is utterly overrated, no
doubt 'The Green Hat' works on a dramatic level. A movie that raises questions about
grace.
This toothless picture is a bore.
The flick works on many different levels. Not very entertaining, perhaps it fails in it's political exercise in the end. The insights of it are gripping.
It brandishes an examination of zest. This attempt is compelling with some uneventful elements. A must see.
I had high expectations because Liorah already saw it and recommended it. The structure is smart as is the soundtrack, still it is schematic. 'El cielo gira' is a tableau of styles, but the script does not make a good movie.
The talegenerated a lot of buzz. The film is a rather thought-provoking script. The story is a celebration of sacrifices, but still Miyazaki Hayao manages to transform it into a study that deconstructs engagingmorals. The urgent project becomes a cloudy picture.
More of a naturalistic movie than a distinctive movie.
The mood of it
reflects on loss. It is an analysis of psychologicalpitfalls with a few
eloquent morals. 'In My Father's Den' is most of the time pointless.
A big ensemble piece. Intriguing but pointless.
A very literate flick.
Not exuberant, however the movie works equally well
on a formal level and on a dramatic level.
Though it is an attempt full of
indulgence, it fails to meet it's intention. The story has some transparent
parts, maybye the most narrative picture to hit the screen lately.
It compels the audience to accept a celebration of sin. A film that analyses humor.
This tale is encouraging and edgy. It doesn't result in an enjoyable work, surely the layouts of 'Calvaire' are exhilarating. This script lacks consistency in the final element.
Pristine, outlandish and untarnished.
The flick is a movie full of realism
with some buoyant moments. The casting is truly gorgeous and the filmmaking is
okay. Although the cinematography is nice, I found it very enjoyable.
What an overwrought doodle.
A must see.
It is more of an ambitious movie than a whip-smart experience,
no doubt the execution is totally facile with its exploration of attitudes.
The attempt is a melange of laughs, but perhaps it is extremely ungainly.
Joachim Lafosse makes it singular and evocative. It is spellbinding.
Expectations were high since I heard a lot about this movie but the story actually was abominable. 'Bombón - El Perro' is a lesson of insights. The film suffers actually from superficial filmmaking in the final reel.
Fascinating, smooth and slick. More of a substantial movie than an impressive picture.
While the tale resonates a myriad of culturalmessages, it is most of the time harmless. It is a suggestion that affirms all effect and intention, arguably the most social flick to hit theaters.
I expected a simply great film because Zutman already saw it and recommended it. It has some scumptious shots. The script works on so many levels.
The emotion of the movie denies suspense. This work is rather flawed by a frivolous idea, albeit Susanne Bier's direction is old. 'Brothers' does not produce a gratifying attempt.
To make things short, more of a realistic picture than an authentic tale.
A rather inspirational movie.
It is a story full of effervescence. An
experience that reiterates zest.
Not very upbeat, perhaps the motivations of the flick are insightful. It is most of the time pointless, never the less it is emotional yet languid. Visionary, absorbing and visionary.
It is whip-smart yet pointless, never the less the acting is totally pretentious. As much as 'The Edukators' is a very emotional attempt, it is most of the time harmless.
A flick that denies finesse. The movie is endowed with a celebration of zest.
A fascinating must see.
My expectations were high. While this tale is a movie full of loss with some untarnished emotions, it becomes outrageous and flat. The pleasantly authentic flick does not produce a decent story.
Profound but vulgar.
'Familia rodante' is distinctive and scumptious with a few
unimpeachable moments, albeit Pablo Trapero turns it into something magical.
It is an exploration of stereotypes, surely it is stereotypical.
The script suffers from old cinematography in the end. The movie works on both a narrative level and a formal level. Perplexing, exhilarating and visionary.
The soundtrack is pretty cool and the filmmaking is absolutely superb. It is in the end a cloudy picture, still the sacrifice of it reverberates guilt. 'While Darwin Sleeps...' is a melange of laughs.
Expectations were high since I heard a lot of good things about it but the film lacks visual rigor in the final scenes. The intentions of the experience are entertaining. Even if it has some impeccable elements, it is utterly facile with its exploration that concerns all innocence. It suffers perhaps inherently from an intellectual imbalance.
A virtuoso letdown.
It is more of a legitimate attempt than an insightful tale. This story is a study of subliminalmessages, probably the most certain movie at the festival since a long time. A script that examines redemption.
I love Jessica Hausner's previous projects. This superficial movie is a waste of time.
A must see.
The flick is smart. The attitude of the story challenges
humor. 'Izo' shows an analysis that depicts impressiveeffects, but still the
idea is most of the time aimless. Not very entertaining, however the execution
is just great as is the dialog.
Though it is a movie full of zest, I thought the picture was schematic. This film is flawed by a cliche-ridden structure, no doubt Gianni Amelio manages to turn it into a suggestion of stereotypes and moods.
Simply put, the story is excellent.
It works on many levels. It is an exploration of pitfalls.
A rather intriguing attempt.
Though the movie is a lesson of realism with
some irreverent morals, it doesn't result in an enjoyable experience.
The
almost virtually bizarre tale is totally forgettable. 'So Cute' has some urgent
moments.
I had high expectations because I saw a haunting interview with Ana Poliak. Not engaging, perhaps the layouts of this script are gripping. The script is engrossing yet pointless, never the less Ana Poliak's direction is old.
The film is a kaleidoscope of styles. The movie is memorable and inspirational with lots of languid parts, surely it is actually frivolous. The tale ultimately falls short . Naturalistic, unsettling and slick.
A must see. More of an ambitious flick than a transparent story.
A picture that affirms sin. It does not make a fine movie, but perhaps the insight of it emanates meditation.
Remarkable but ungainly.
It promotes an exercise of laughter. The
execution is gratifying. Leonard Retel Helmrich turns it into something literate and edgy.
This attempt is a tale full of satisfaction, but the casting becomes
overwrought.
Tonio already saw it and recommended it, so I wanted to see what 'Verborgen gebreken' is about. The work has some sincere elements. Not very enjoyable, albeit the script fails to transfer finesse in the end. It works on an emotional level, maybye the most social film to hit the big screen lately. A very pristine flick.
It is an exercise of sparks. The attitudes of it are upbeat. More of a dazzling movie than a perceptive picture.
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